{"id":411,"date":"2019-02-21T18:02:25","date_gmt":"2019-02-21T18:02:25","guid":{"rendered":"http:\/\/www.atanime.org\/v9i1\/?page_id=411"},"modified":"2020-02-19T18:30:50","modified_gmt":"2020-02-19T18:30:50","slug":"partyofone","status":"publish","type":"page","link":"https:\/\/www.atanime.org\/v9i1\/partyofone\/","title":{"rendered":"Editdesk: Party of One"},"content":{"rendered":"

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editdesk<\/span><\/strong><\/p>\n

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editorial<\/h3>\n

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Party of One<\/strong><\/h1>\n

\u00a0<\/p>\n

Picture in your mind. It’s the opening sequence to the third season. Music plays. Fancy visuals dance across the screen. Lots of characters appear. Then you see the main character. He’s had lots of people back him up on screen over the past few seasons. They pop up one by one, but they come and they go. As quickly as they appear, they fade off into the distance. At the end, the music comes to its momentous climax. And the main character stands on the screen, a solitary figure on a nondescript background. Like the beginning of a series where all of the characters haven’t been introduced yet, there’s plenty of space on the screen for their images to stand.<\/p>\n

And words appear on the screen, in typical Japanese, of course, since this is<\/strong> the opening to the show.<\/p>\n

“\u76e3\u7763 \u00a0 \u30b8\u30e7\u30fc\u30b8 \u00a0 \u30c6\u30a3\u30e2\u30b7\u30fc”<\/p>\n

Hey there! It’s been along time. Good to see you!<\/p>\n

Welcome back to @anime!, what feels like our Season Three. Admittedly, we had a pretty decent Season One. I had a rather large cast of characters with me at the beginning of our journey. My life in anime conventions at that point in time had provided many opportunities to have some fun and talented people work on the first six or seven issues over our first three years. Then a rift in the convention world that I existed in took place. Nasty affair that, but that led to a new set of characters for Season Two. It was a much more unconventional cast to say the very least, but they liked to have fun with the “show” as it were. Again, it was another convention crew, but good things were happening. In that season, we were able to produce eight issues in two years and we even produced our first print issue. But even that eventually, because of another seismic rift, came to an end. And that nearly ended my life in the world of anime.<\/p>\n

It made me kinda feel like some of the old school anime that my generation loved so much. I think of the example of Bubblegum Crisis<\/em>. The series was great. Admittedly a cult classic if there ever was one in old school anime history. But the series only lasted eight episodes, despite originally being slated to run for 13. Due to issues between producers Artmic and Youmex, who jointly held the rights to Bubblegum Crisis, the series was discontinued prematurely.<\/p>\n

Now, we’ve never had anything like an Artmic-Youmex scenario here at @anime! (fortunately!), but I feel for the guys that worked on Bubblegum Crisis. You have a great group, but something happens and things take a turn. Things definitely have taken turns here at @anime! over the years. Even after a rocky Season Two, we did have a special episode, our Volume 8, Issue 1. That’s like our OVA episode. v8i1 was a collection of things that we had laying around that had been intended for a much earlier issue than January of 2012, when all of that content appeared. I decided to at least get that out into the world since it had mostly been done and had just been collecting dust. Since that time, it’s been pretty lonely around here.<\/p>\n

It’s been eight years since that OVA. And as I sit here typing this, I admit that I’ve attempted to get this going again several times. Back in 2012, the intention was to see if I could get things going again, but as things happened, it never did pan out. Since then, many more twists and turns have occurred, including my run-in with my own personal Death and Rebirth in late 2014. I’ve found myself in a place where I have way more free time than I did in 2012 and needed to have a project to work on. But getting the motivation to hop back into reviewing anime and manga and writing something that would be interesting to the readers has always been a challenge for me. After a lot of testing, trials and tribulations, it made the most sense to see if this could work again.<\/p>\n

And so, @anime! Season Three is starting. And I’m the lone character. Yes, I am<\/strong> the Party of One. For the first time since this started in 1999, it’s just my name on the masthead. Publisher. Editor. Creative Director. Writer. It’s totally a one man show. Will this all work? Just me, myself and I? Well, I’m aiming for that. Thanks to tons of streaming apps, I have plenty of things to review. I’ve got schedules for six or seven more issues right now. But, I’m also hoping that I can get some new characters to introduce. Someone to join me on that lonely screen in our new opening sequence. So when that credits card comes up on the final scene of the opening and we see “\u76e3\u7763 \u00a0 \u30b8\u30e7\u30fc\u30b8 \u00a0 \u30c6\u30a3\u30e2\u30b7\u30fc” (that’s “Directed by Timothy Georgi”) on the screen, I hope to have some friends to join me for some of our future episodes.<\/p>\n

Until then, hi there! If you’re new, welcome. If you’ve been with us in the past, great to see you again.<\/p>\n

It’s just me. At least for now. Thanks for joining me for Season Three.<\/p>\n

\"\"
Tim Georgi
Editor\/Publisher<\/p>\n

\u00a0<\/p>\n

P.S. Want to help me in my quest for new characters to join the cast? Here’s your chance! We have a Patreon<\/strong> page set up for anyone that would like to support the magazine. Visit our Patreon page at https:\/\/www.patreon.com\/atanime<\/a> and give us your support!<\/p>\n

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\n

Publisher\/Editor-in-Chief
<\/b>Tim Georgi<\/span><\/p>\n

Creative Director
<\/b>Tim Georgi<\/span><\/p>\n

Contributors<\/b>
Tim Georgi<\/span><\/p>\n

Interior Artwork
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